Weak current College】 【use microphone included electric guitar sound box of the General Clauses.

<br> <br> Recording electric guitar speaker, you can transform the distance and angle of the microphone and get some changes of timbre. <br> Recording electric guitar sound, the most commonly used the microphone should be ShureSM57, microphone distance and angle .changes will result in the effect of timbre. <br> A few simple rules like this: <br> 1. the distance from the loudspeaker that the nearer, the more access to low-frequency, low frequency less farther. <br> At .first, you can try to put the microphone directly aimed at the middle of the loudspeaker, and then close to close, will get a very tight a detonation of guitar sound. But we usually put the microphone to the distance unit to three estates far away ., let the sound development, the recorded sound more natural. <br> 2. location, determines the distance, you can slowly move the location of the microphone, loudspeaker on the outer edges of the middle movement, you will find the sound began to .have great changes, typically, the old rock and roll flat broke the sound from the sound of the Horn on the inner ring, outer ring sound relatively thick. <br> 3. the point of view, if the angle of the microphone and loudspeaker .into vertical 90 degrees, it is called the onaxis, if biased is called offaxis, same, you can transform the microphone angle, to get the sound you want. <br> Important: some tips <br> 1. access to "reality" .of guitar AMP sound, when our guitar AMP plug-in to handle loose above, do not touch the guitar, you can hear issuing from AMP inside the hum, hum is important, the microphone in a distance of approximately 30 cm AMP to the distance .of about one meter; then take on headphones, front, back, left to move the microphone from the microphone, listens for incoming voice received; when you hear from the headphones grunt and directly from the speakers to hear the hum is very close to the .microphone location receives voice is closest to the AMP itself. Many recording uses this technique, for example SteveAlbini (NIRVANA, GYBE.etc) <br> JimStcott (TomPettyandHeartbreaker). .<br> 2. we all know that the guitar signal above plus DELAY effects you can get more "introduction broad-reaching" sound, but no effects can get a similar effect. While using two microphones, respectively into two tracks, one about distance .12 British would have a millisecond DELAY, so you can not use the effects of the circumstances to obtain the effect of DELAY, when the Mixdown pan and level can be adjusted to obtain the ideal sound. <br> 3. recording Rhythm Guitars, preferably .with a partial kailu twice, and then pan ultra-leftist and extreme right, so the sound is very open and full, do not do only recorded once and then use the copy to another track, although digital recording function copy paste is very simple. .If this session is very broken sound clip recorded twice, you can record it again without breaking the sound of it will make cleantone whole session more full. <br> In fact, the recording is not necessarily the rule, you can encourage creativity and imagination .to experiment, for example, use two (or more) of the microphone, using different angle and distance, will have unexpected results, do a few times, you can find your own TONE. <br> <br> <br> <br .>.